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Entries tagged as ‘postmodernism’

Parodical Influences

October 6, 2008 · Leave a Comment

I grew up watching Superman, The Cisco Kid, O.S.S., hearing war stories, chasing down moth-eaten army uniforms back when milk arrived in a horse and cart, marvelling at the colour, style of actual coca leaf content in Coke bottles, blinking at motor cycles, Dick Van Dyke falling over a couch, cowboy films shot in daylight B&W and in colour at night, or at my father’s home-grown vegetables. I was born with words in my mouth -’gimme-that’ , ‘how-dare-you’ and later I guess ‘what-the-fuck’- ideas as fixed and eternal these days it seems as the Iraq war. My world grew into Kidnapped, bicycles, desert boots, Seventy Seven Sunset Strip, DisneyLand, Rear Window,Psycho, Lawrence of Arabia, and the senseless annual anxiety of packing the car at holiday time, the essence of each and every moment forever mysterious. Parodies of life or art weren’t even an option. I knew the Beatles before the Monkees, Bogart before Belmondo, and can’t say I either recall the Summer of ‘42 before it was an idea a moviemaker or some clown from Mad magazine conjured or parodied, or whether it co-existed at the same time in the northern hemisphere in some dinky toy mind like George W. Bush’s. I believe I’m not alone in being bewildered by the incoherence of everything, the products, images and texts that have surrounded my life from birth setting out to arrest me. My natural river environment in the far southern climes was severely challenged by the commercial and cultural crap that suddenly appeared to blot out my childhood but I can no more claim that I knew or regretted this then than I can claim that my natural world was not a parody of some story I was told by my mother, any more than I can pretend the baked sidewalk I stood on hearing JFK was dead, or pink socks on the rock ‘n rollers, were moments, things or events in themselves sent by whoever up there to make life even more dangerous or curious than it normally is, or that any of it was a direct result of the existence of the industrial military complex, Elvis Presley or Chuck Berry even. I simply didn’t know jack shit of politics, origins or influence.

And boy, whew! If that wasn’t enough.. then there was George Bush’s stuttering but heartfelt concern for life and death around the world – he was so worked up about us all – everything so pretty and organically interconnected, woven into beautiful cordant threads – take that great general valuelessness! We all were held held dear by so many in the years on from that day when morality lost its head and footing on the street, that guy left the back of the Limo. He didn’t do it deliberately, did he? We all motored on blinded by camera flashes thinking of that spot.. when, what the…? Hope? A brand new day? Broad daylight?

Categories: books · fiction · literature · novel · postmodernism · publishing · reading · writing
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REVIEWS of UNCORRECTED PROOF

June 18, 2008 · 1 Comment

Cover - Uncorrected Proof

Cover - Uncorrected Proof

What readers are saying

From America

With tongue in cheek humor and a sly poke at genre fiction, literary untouchables and the publishing industry this book seems tailor made for smart praise. Even though I wasn’t able to pick out all the literary styles interwoven playfully within the book — and frankly at a certain point I was so into the story it didn’t matter — when I was able to pick up on an author or style it just added to the fun. Very impressed with the versatility of the prose and the ability to coopt all these writers and yet still make it all work within the story being told, a story that holds its own as a larky genre thriller with literary overtones and a lot of humor too. In the end all came off as clever parody. Especially enjoyed the “genre thriller” kick of the kidnapping and rescue of Ellen mirroring the story within the story within the story. Given the levels of literary byplay and the scope and ambition of the prose styles, the story is amazingly accessible. It even is a bit of a high concept as well — literary high concept (or highwire act) in which, while flawlessly speaking in all these different voices the book still tells a thoroughly enjoyable pulp story about stolen manuscripts and deferred vengeance in the volatile, cutthroat world of publishing. Making publishing a life and death enterprise is a nice conceit that allows all the tropes of detective and spy fiction to come into play and gives it much of its kicky fun. Bravo!

- Paul Duran, LA director and writer (Flesh Suitcase and The Dogwalker)

I found your book very refreshing..very readable but also so postmodern and referential. I delighted in your sources.

Richard Olafson, Editor, Pacific Rim Review, San Francisco

From Australia

Quite an extraordinary work. Initially the surreal plot threw me then I realized that the plot, the use of various styles and forms, present continuous, film scripts and cooking instructions etc, were creating a particular structure. Eventually, I concluded that it was some sort of a coded book, either intentionally or as some kind of experiment, which I failed to appreciate. Like most coded works, the book consists of two novels seamlessly interwoven. In this case the characters from at least one are able to inhabit the other. This is clear when you separate the two novels by the plot and other code markers. The two novels are quite different, and even seem to deal with different subjects and are sometimes contradictory. I have tried this coded thing but I used simple invisible multi-layering as you do when encoding engineering drawings. This form of yours is way beyond that. This is a very brave new world you have stepped into, or invented, a new realm.

Eric Willmot, author of Pemulwuy and Below The Line

It reads like a splendidly maintained & protracted metafictional elaboration of the climactic shoot-out in the fun-fair corridor of mirrors at the end of Orson Welles’s ‘Lady from Shanghai’. I was glad to see refs. to ‘King of Comedy’, surely one of the last century’s vy best films…

Tom Gibbons, painter, writer (Rooms in the Darwin Hotel) and academic

From the UK

Uncorrected Proof by the wonderfully-named Louisiana Alba… I’d read it. If I were reading anything.

Katy Evans-Bush, author of Me and the Dead

http://elephantearspress.com/uncorrectedproof.html

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Is Joyce Dead?

April 27, 2008 · 8 Comments

Does he live on in writing today? And if not, who are the writers that make the difference, guide our consciousness these days? Marquez? Borges? Pynchon? (not for me). McCarthy? Stephen King (is he anyone’s favourite?). How many people still read 20th century writers today for inspiration? Anyone want to add to this list? (in no particular order).

Joyce – for destroying the concept of realistic/willing suspension of disbelief narrative. Kakfa – for bringing the waking dream to the fore. Faulkner – for As I Lay Dying. Hemingway for being himself and those short stories, Gertrude Stein – for the value of repetition, Andy Warhol – for that diary, Marquez – for Love in the Time of Cholera, his prose-poetry and story capacities really melded in this one, J.D. Salinger – for page one filled with attitude in The Catcher in the Rye, Jack Kerouac – for describing the road, Brett Easton Ellis for showing us how alive American sociopathology and sadism is in the ‘well bred’ (well-breaded) American soul, James Kelman for that language and wonderful portrait in How Late it was, How Late, Dylan for Like a Rolling Stone, Henry Miller for Tropic of Cancer, Samuel Beckett for being there, Woody Allen for all his films onward from Annie Hall, Jorge Amado, The Animals, W.H. Auden, Warren Beatty, Saul Bellow, Chuck Berry, Robert Bloch, Lawrence Block, Jorge Luis Borges, for the best short writing of the 20th century, Hermann Broch, Joseph Brodsky, Charles Bukowski – made east LA come so alive, Anthony Burgess, John Burnside for crossing Commercial Street (Road) in the rain, Albert Camus, Ethan Canin – the Accountant, Raymond Carver for all his stories, Raymond Chandler, Leonard Cohen, Larry Cohen, Julio Cortazar, Billy Crystal, e.e. Cummings, Michael Cunningham, Len Deighton, Don DeLillo, T.S. Eliot – sometimes, James Ellroy, John Fante, William Faulkner, Lawrence Ferlinghetti, F. Scott Fitzgerald, Ian Fleming, Safran Foer, Richard Ford, Michel Foucault, Jonathan Franzen, William Gibson, Nadine Gordimer, Graham Greene, Dashiell Hammett, Jimi Hendrix, Homer (hey, you can’t forget him), Dante for just those opening lines in Inferno , Elfriede Jelinek, Juan Ramón Jiménez, Thom Jones, Charlie Kaufman, John F. Kennedy, Milan Kundera, Philip Larkin, John Le Carré for Leamas at Checkpoint Charlie, John Lennon, Elmore Leonard for everything he wrote 1980 to 1990, Kenneth Lonergan, Federico Garcia Lorca, Norman Mailer for The Executioner’s Song, David Mamet, John Marks for exposing the undercover boys, Paul McCartney, Jay McInerney, Robert McKee, Czeslaw Milosz, Eugenio Montale, Robert Musil for showing us that a book and a brick can be the same thing, Vladimir Nabokov, Pablo Neruda, Stewart O’Nan for Speed Queen, Harold Pinter, Luigi Pirandello, Marcel Proust, The Rolling Stones, Philip Roth, Arundhati Roy, José Saramago, for a truly favourite book of all time for me – The Year of the Death of Ricardo Reis, Sam Shepard, Wislawa Szymborska, Quentin Tarantino for Reservoir Dogs and Pulp Fiction, Peter Tolan (along with Billy Crystal, Robert De Niro and Harold Ramis for some of the best dialogue in a film), Sue Townsend, Gore Vidal, Derek Walcott – beautiful narrative poetry, Patrick White for showing me the spirit, William Butler Yeats for opening up classical style modern poetry for me and Paul D. Zimmerman for that gem and most underrated screenplay, King of Comedy.

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PISST!

April 23, 2008 · 1 Comment

Was swimming 1500 metres daily at a fair clip and got a kick in the left chest. Thinking my heart was the reason I had a check and a blood test done. All clear on all fronts. Problem – chest wall strain from guess what? Swimming 1500 metres daily at a fair clip. Yesterday after getting the news I was back in the pool doing 1500 metres at a fair clip. I am over it and myself but my fears that I may now have permanent PISST has created more anxiety that it will return only making me go faster. Christ now what? Another injury and PISST all over again? Any sports experts out there who can help me reli(e)ve the PISST? (Post Injury Swimming Syndrome Trauma)

Back from 1200 metres. Please go to http://elephantearspress.com for more.

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Splashing out into the great beyond

April 11, 2008 · Leave a Comment

Checked the ticker out with the local quack, seems it’s okay so after slowing to a crawl, (anxiety had me going: oh shit not me heart), I’m somewhat relieved. I’ve moved back up from half the distance, half the pace, back to 1500 metres almost at a decent clip. There’s something about the pool that gets the head right.

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