Category Archives: novel

Narratorial Unreliability

Christian Mihai discusses his ideas on unreliable narrators, something he likes to see writers use, and a technique he says he uses himself. Still, he misses a fundamental point – all narrators, storytellers, dramatists, poets, are unreliable. From Homer, Shakespeare to Sartre, no writer tells, gets close to ‘the truth’, even if he or she is prepared to die in the process of collecting all the observable details of a factually based fiction.

Catherine Lacey

Do we trust Tolstoy’s account of Napoleon in War and Peace? Perhaps… if we are Russian.

Narrator unreliability doesn’t have to be a first person account, though the most obvious modernist exploitations of narrator unreliability in fiction use that form. The best approach – for this writer at least – is when the writer sets out to deceive us, and by convincing us that he or she has told the truth, transfers any doubt on narratorial reliability to a reader’s interpretation of the tale.

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Experiment, what experiment?

..handheld shaky cam, found footage, ultra-violence, meta-storylines, etc., all becoming part of the broad pop cultural landscape and assimilated into the commercial marketplace. This translates across all cultural lines – music, art, technology, etc. as the outsiders and untouchables of yesteryear are today’s TV spokesmen and tastemakers..

…experimental film seems to represent more fully the true potential and magic of cinema

…for brief moments in history, think the ‘beats’, the real ground-shakers, the true risk-takers, manage to do something that is life and culture affecting, their minds drafting the future…

where is “Bukowski” by Swimanog listed on Google

  1. fiction | Swimanog

    swimanog.wordpress.com/category/fiction/

    11 Mar 2012 – His first book was a translation of Charles Bukowski’s The Days Run Away ….. “[I] found the order (or found the copy on Google Book Search 🙂

    You’ve visited this page 2 times. Last visit: 15/04/12 (did I? My memory must be playing tricks…)
  2. politics | Swimanog

    swimanog.wordpress.com/category/politics/

    19 Feb 2012 – I am writing to point out Google’s association – inadvertent association, http://swimanog.wordpress.com I put the post up on 18th May, 2009. (was it worth it?)

  3. postmodernism | Swimanog

    swimanog.wordpress.com/category/postmodernism/

    11 Mar 2012 – “[I] found the order (or found the copy on Google Book Search 🙂 …. and artists listed in the book’s acknowledgements starting with ABBA!). (Why not begin with ABBA?)

  4. Blogroll | Swimanog | Page 2

    swimanog.wordpress.com/category/blogroll/page/2/

    17 Aug 2010 – It was Bukowski’s birthday (16th August) – the LA Times alerted me. …. “[I] found the order (or found the copy on Google Book Search 🙂 …. hundred authors and artists listed in the book’s acknowledgements starting with ABBA! (ditto)

  5. Louisiana Alba (Author of Uncorrected Proof)

     Rating: 4 – 3 votes

    28 Jun 2009 – My blog – posts on Bukowski, Fellini, GFC and many more. Http://swimanog.wordpress.com read more » · 0 comments …. A good overview, that puts Google in perspective, answering many questions if not all. Dec 07, 2011 … (now putting Google in perspective…?)

  6. LiteraryMinded – Part 45

    blogs.crikey.com.au/literaryminded/page/45/

    26 Sep 2008 – internet multinationals, such as Yahoo, Google, Cisco and Microsoft, ….. Roald Dahl and moved on to Charles Bukowski—go figure—so they … (yes, so they..)

  7. Bret Easton Ellis in Australia | LiteraryMinded

    literaryminded.wordpress.com/tag/bret-easton-ellis-in-australia/

    20 Aug 2010 – as akin to an LA literary tradition, with people like Fante and Bukowski…. RT @nztaylor: On blog: Google Ebooks launches in Australia with

  8. Top Pictures – bukowski

    en.topictures.com/bukowski

    5+ items – Top Pictures: bukowski, Image search results giving you the top

    Charles Bukowski – Wikipedia, the free encyclopedia jpg – 220×190 Charles
    Bukowski | Swimanog jpg – 300×517 Bukowski
  9. სურათები – bukowski

    ka.bestpicturesof.com/bukowski

    5+ items – სურათები : bukowskiGoogle გამოსახულებებიდან, bing-იდან

    Don’t blame Bukowski for bad poetry | Books | guardian jpg – 460×300
    Bukowski | Swimanog jpg – 300×517
    I began a search on Google to see whether all the people (listed as hits) actually did see my post on Bukowski and after going through 17 Google pages and not arriving at my post I gave up…I thought I could be in a capsule hurtling out somewhere further into the outer universe saying hello, hello.? Now, self-referencing has some sense, maybe not much sense, but some at least, more sense than ending up on page 107 on Google…Watching Damien Hirst talk about himself brought it all home. We endlessly auto-reference. Click on the links for ‘Damien Hirst’ and then on ‘himself’ a few seconds, maybe a minute later and play them simulacrously but starting at different points. Somehow to hear Hirst in disjointed stereo makes more sense (at least to me) 
    http://www.guardian.co.uk/artanddesign/video/2012/apr/16/damien-hirst-tate-modern-exhibition-tour-video
    The need to reinvent everything endlessly…
      

Sammakon in Turku

I was in Finland last week, in the western city of Turku, facing down five days of clear blue skies and 30 degree sunshine, weather Londoners can only dream about. Turku is a friendly, gentle-paced city.

I found a bookshop not far from the hotel.

What caught my eye right away was a small John Fante hardcover in Finnish lying on an outside table, selling for 3 euros.

No dumping books in remainder shops, not in this corner of the bookworld anyway. There it was at a price anyone can afford – with the added value of being in translation. Sammakon is not an average bookshop, even if it could be mistaken for one at first glance.

There are two sammakko.com shops, the other in Helsinki. Sammakon’s owner publishes, sells and translates from English himself, especially his favorites – Bukowski, Fante, the beat poets and novelists. His first book was a translation of Charles Bukowski’s The Days Run Away Like Wild Horses Over the Hills. And don’t they just. After coming across this minor miracle for the world of books in English, one that so intimately caught my eyes, all both of them, it was on the bus for the drive back to Helsinki, for a day and a half of restaurants and walks, before flying back to rainy, chilly London.

Harvey Weinstein, M&Ms (MGMs or MFMs), SCB and the dreaded typo

When I wrote Uncorrected Proof, I thought – as it was a novel set in publish9ng, warts, bad behaviour, mistakes and all – what’s the BIG thing that sticks most in an editor’s craw…the typo of course.

Perhaps there are a few more things that stick in editors’ craws but the typo is a great place for me to start....a craw by the way for those who are not up with the term is ‘a pouch in many birds and some lower animals that resembles a stomach for storage’ ..(worth knowing and possibly connected to the punch-line).

But why should typos stick so deep and hard and mean in the editorial craw? Well, I’m sure it is annoying for editorial purists at times to stumble across a (strategic) typo (that OMG moment, that moment of editorial triumph): SEE how much unhoused-trained writers-like-you need us! Let me be frank, thank the gods for the eagle eye of a munificent editor – like Mike Phelps without the coach-guy telling him how to swim – had to drop a sport reference in there somehow.

But heinous literary crimes aside, and stepping back from the taking of an editor’s role in vain, it seems there might also be a wider issue here, one of power (where Harvey comes in) – when is power never involved? Editors play a very important and often uncredited role  in keeping writers ON MESSAGE – for the benefit of all of society. (Heaven forbid writers are left to their own rational devices on the MESSAGE).

In toto, our creative managers play an important role. Just look at how incredibly naughty & thoughtless Charlie Sheen has been over the last few days. If it hadn’t been for the sensible handling of him by Hollywood’s best and finest (Moonves and the rest), SCB* might just have shocked Libya off the front page. What a travesty, the entertainment industry deflecting our attention back to the real battle – extracting mega-media-revenues from impoverished consumers. Eventually SCB will head back to rehab, end of story (for a while), while Libya’s gonad-breaker keeps us politically glued, at least for a few more daily editions.

Apart from his penchant for power what does Harvey have to do with this?  His critique on CNN of SCB’s obsessions, Harvey’s own craw-charged battles with auto-gratification – on the floor chasing M&Ms – but that, like Charlie Sheen’s reel motives, and my typo-fictionalisations, is another story.

* Sacked Charlie Boy, the saga of off-message Charlie Sheen, a not so ‘poor’ not-so young actor learning how to get over himself.

LA

One Writer’s Swimality Check

In the drink fogly.

When I started my swimalog I thought at the the time I could document the mental processes, thought patterns throughout long(ish) swimming sessions, that’s what I planned anyway.

Q: So you haven’t been successful?

Not if you look at the number of blogs dedicated to swimming, no.

Q: Was it too hard for you?

The long swims were hard enough by themselves but then when I got swim-fit enough I found it wasn’t because it was hard to think and swim, just hard to remember afterwards what my mind was actually thinking while swimming, and the fact a lot of what I did think was banal – like lap 22, lap 23, lap 25, hang on it that was 24 or was it etc. When you cruise you lose track, when it’s hard you are absorbed in muscle fatigue and aches etc and when is this going to end. You might think of a phrase of music that repeats over and over and that goes on in the background of other thoughts or  sometimes even how hungry you are, or just how easy it seems, as you try to concentrate on reaching out your fingertips, keeping your kick to minimum but existent  – we’re talking freestyle here – as you just roll on to lap ends and turns and roll and turn and head on into the next lap and getting through it all. Some days are great, some not so great – banal, as you can see. There are many concerns that run through your mind as well, but the thoughts are fleeting and are lost by the swim’s end. One thing though, the harder it gets, the closer you get you get to the end, the more you are concerned with the physicality of it all – perhaps a precursor of final days concerns in any life.

Q: Okay that’s internally. What about externally – other people? Is it better some days than others?

Better when it rains and the pool empties. Way better.

Q: So you learned, one, that swimming highlights an anti-social side in you, and two, you were forced to give up on the original idea – pretty good progress.

Thanks. I branched out in the blog into other topics to keep myself and potential readers interested. And I’m not anti-social, though I accept swimming has a solitary side to it.  On a bad day I have managed the occasional rant about pool etiquette with someone who looking back may or may not have deserved it – there are two sides always to these sorts of disputes – but I’m well and truly over that. Swim and let swim is my motto now.

Q: So failing yourself and others you learned something of a better way of handling social relations and conventions. But on your main goal, in well over two years of lukewarm attempts, you failed miserably. You set out to observe and not having the stamina to maintain the observatory technique or even capacity to reinvent a charting of the banal progress of an ordinary  swimmer’s daily routine, you gave up. And made no friends.

Thanks. I made one or two friends, a few acquaintances as well. On the observation, you try it, see how far you get.

Q: I didn’t start this idea, you did. So what’s next?

Keep on keeping on. Maybe I will find a way to observe and recount a swimmer’s progress eventually. But in defence of my efforts, it’s a little like writing dialogue – slavish recounting of ‘everyday normal discourse’ rarely makes for good dramatic dialogue, or readable material – ditto for any blog on the mental processes while swimming.

oh dear.

Bukowski


It was Bukowski’s birthday (16th August) – the LA Times alerted me.

“I was drawn to all the wrong things: I liked to drink, I was lazy. I didn’t have a god, politics, ideas, ideals. I was settled into nothingness; a kind of non-being, and I accepted it. It didn’t make for an interesting person, I didn’t want to be interesting, it was too hard.” Women

More than any writer of recent times he made himself and East Hollywood a person and place you wanted to know. In an uncanny way, he made himself the writer you knew without meeting. The story of publication with John Martin and Black Sparrow is a hell of a ride – one that given the state of the publishing industry today makes you shake your head and wonder what went so horribly wrong. How and why did the spivs take control? Moneybags spivs walked in one day and a good part (the best part) of writing and publishing gave up the ghost and died. What happened to that generous reader, writer publisher spirit that John Martin recounts, those early days – he wasn’t imagining or romanticizing it. It was there. (It’s still there in pockets and angles and bolt-holes all over – the connectiveness reliant on the Web – the spivs are desperate to colonise and control the Web now as well.)

Back then when publishing was open for any and all business John Martin said  to Bukowski – I’ll give you a hundred dollars a month (we’re talking late 1960s) and you just write for me. I’ll publish you. Just go and do it. Bukowski went off and wrote Post Office in a whirlwind.

John Martin is still a beacon in a wilderness we really should call –  information control – or entertainment froth – or laugh your way to the little bank blues – not book publishing, not anymore.

Bukowski made you laugh out loud about things that were no laughing matter. He just made his humanness (really, Chinaski’s) matter to you. No one has captured him yet on film. Mickey Rourke and Matt Dillon – put them together, maybe (Jeff Bridges could do Bukowski really well). Or as a friend said – Mickey Rourke now – yes, Rourke or Bridges could do Bukowski now.

Any film takers out there? Any producers with the heart to try again?

ElephantEars Press